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[prog-rock] (2022) Porcupine Tree - Closure ∕ Continuation [Deluxe Edition] [FLAC] [DarkAngie]

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(2022) Porcupine Tree - Closure ? Continuation [Deluxe Edition]




Review:
…features a
CD disc with standard tracklisting, and second CD with 3 bonus tracks and instrumentals. Over a long decade for close
followers of Porcupine Tree, something was ticking away behind frontman Steven Wilson’s evasive interview manoeuvres.
While Wilson equivocated on Porcupine Tree’s future, he was busily amassing an archive of slow-burning collaborations
with drummer Gavin Harrison. As lockdown bit hard, Wilson, Harrison and keyboardist Richard Barbieri worked these
fragments and more into collaborative songs, with the band’s defining impetus guiding the way: always recognisably
themselves, always determinedly different. That combination is slickly channelled into the teasingly titled – old
habits – Closure/ Continuation (or C/C). With bassist Colin Edwin out, the band have reconvened in a new collaborative
formation as a limber power trio, refreshed by sundry solo and extra-curricular adventures. Veering between
encapsulations of a well-travelled career and open doors (potentially) to future options, the result perhaps misses the
conceptual cogency of earlier Tree peaks. But it doesn’t want for controlled reach. Over a tight 48 minutes, C/C weds
a reinvigorated affirmation of band identity to expansive energies, all to confident effect: “The sum of all, of new
and old,” as Wilson’s lyrics put it. Initial evidence of change arrives with Harridan, where Wilson’s slapped funk
bass heralds bold gear-shifts even as the Porcupine Tree imprint clarifies. Barbieri’s limpid washes of Blade
Runner-ish synth atmospherics and Wilson’s crashing guitars occupy shared space, held in tense, heavy and flexible
formation. Meanwhile, Harrison’s cardiac-routine rhythm work summons hammering grandeur and nimble grooves in equal
measure; close your eyes and you can picture Thom Yorke wobbling his head in approval. A more melodic bent buoys up Of
The New Day, a careworn single giving Wilson’s Floyd love full rein. If echoes of Lightbulb Sun or Stupid Dream also
resonate, the result stands as a rarefied take on such, with an airy sense of graceful resilience that – though it
predates lockdown – will surely connect with lockdown-bruised listeners. In Absentia is a closer cousin to Rats
Return, whose stop-start riff contortions mount revitalised nods to earlier prog-metal PTree highs. While Wilson’s
lyrics bristle with bile, the song’s knotty convolutions hold their own between modern math-rock experimenters such as
Black Midi and veteran prog practitioners such as Rush. Talking of whom, an Alex Lifeson-esque guitar break opens
Dignity, another song that brings to mind Wilson’s solo work (notably, Hand. Cannot. Erase.) in its empathy for lost
souls in the city. Darker twists on modern anxieties shape Herd Culling, which evokes Wilson’s fascination with film
in its ominous horror-movie lyrics. Between lights in the sky, scratching at the doors and curses on the land, the sense
of apocalyptic interior dread oozes a kind of miasmic gloom not many miles removed from Radiohead’s Climbing Up The
Walls. The reference points for Walk The Plank come from closer to home. Continuing the turn away from guitars that
distinguished Wilson’s The Future Bites (2020), the song’s mix of queasy atmospherics and experimental electronics
also marks fresh territory by foregrounding Barbieri’s unmistakably ambient imprint. Finally, Chimera’s Wreck
extends a gift to the old-guard fans in its embrace of the prog-epic jugular, building incrementally through acoustic
passages and offbeat time signatures to further echoes of Rush’s influence – if the riffs are Lifeson-esque, the
bubbling basslines honour Geddy Lee’s fleet-fingered example. Perhaps most pertinently, Wreck’s lyrics meditate on
change, age and legacy, all issues that circle this most confident of comeback/farewell albums. “We can still find
there’s a future in tomorrow,” sings Wilson, ever the tease. Do Porcupine Tree have a future after their upcoming
tour? No one involved knows, but the lingering question seems clear. When the suggestion of closure is this strong, how
could continuation not be in consideration? — recordcollectormag.com



      





Track List:
Disc 1
01. Harridan 8:07
02. Of the New Day 4:43
03. Rats
Return 5:40
04. Dignity 8:22
05. Herd Culling 7:03
06. Walk the Plank 4:27
07. Chimera’s Wreck
9:39

Disc 2
01. Population 3 6:51
02. Never Have 5:07
03. Love in the Past Tense 5:49
04.
Harridan (Instrumental) 8:07
05. Of the New Day (Instrumental) 4:43
06. Rats Return (Instrumental) 5:40
07. Dignity (Instrumental) 8:22
08. Herd Culling (Instrumental) 7:03
09. Walk the Plank (Instrumental)
4:27
10. Chimera’s Wreck (Instrumental) 9:39


Media Report:
Genre: prog-rock
Country:
Hemel Hempstead, Hertfordshire, England
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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